Scribbles and Doodles – 75 Brushes + 75 Images 10

By jeya. Posted: January 8, 2010 at 3:44 am in Freebies, Packs
Add a hand drawn touch to your next design with this gigantic pack. It includes 75 high resolution scribbles and doodles in either JPEG images or as Photoshop Brushes. Download them all and create something fun. As with all of our resources, personal and commercial use is welcomed and encouraged! If you like this pack, please take a few minutes and click on the retweet button for us. Thank you!

Previews:

Interview with Design Master Demen1 14

By jeya. Posted: January 6, 2010 at 1:39 am in Articles
You have definitely seen Demen1’s designs scattered across design blogs, t-shirts and posters. There is no missing his unique design style and highly detailed typography. I recently had the opportunity to sit down with my long time friend Steve Goodin to interview him on life, design, and what sets him apart.
DEMEN1's PROFILE
Age: 29
Location: Sacramento, California, USA
Occupation: Motion Graphics Artist
Favorite Movie: The Big Lebowski
Favorite Band: Not sure if I have a favorite, but right now I’m listening to a lot of “His Infernal Majesty” and “Empire Of The Sun”
Favorite Music Genre: The musical one
Favorite Artist: Daim
Favorite Color: Black or Pantone 5753 C
Diet Pepsi or Diet Coke? Diet Pepsi all the way!!!
Mac or PC? Mac
First off, thank you Steve for taking the the time to participate in this interview. Can you please tell us a little about yourself?

My name is Steve Goodin aka DEMEN1. I am 29 years old and currently live in Sacramento, California USA. I am currently working in the Creative department as a Motion Graphics Designer for a new media agency here in Sacramento known as Wirestone. I have been working in the Motion Graphics field for about four years now and I am constantly learning something new and I feel very blessed to be able to do the work I do.

What does design mean to you?

To me Design is a way for me to truly express myself, it is a real escape, I feel the process of design just swallow me up into a world where nothing matters but the work. Everything around me becomes a blur and I feel my own creativity taking hold, controlling my every move. Everything is fluid, movements feel more deliberate than they have ever felt. It is such a liberating feeling, I guess you could say design is my schizophrenic alter ego.

What design applications do you use?

The applications I mostly use at the moment are Cinema 4D, Sometimes Adobe After Effects and of course Adobe Photoshop. I started using Cinema 4D because it is the primary 3D software the creative team uses for our motion projects at work. Not only is it very easy to use, it also integrates seamlessly with After Effects. So after working with Cinema 4D for motion design, I started using it to render 3D elements for my print work. As for Photoshop, its the only raster editor i've ever worked with.

What tricks or secrets do you have that you don’t want people to know?

If I told you then they wouldn't be my secrets anymore.

You put a lot of time into your designs. How do you know when too much is too much?

I know when I'm trying to add too much when whatever I'm trying to add or do just isn't feeling right, when the mood of the piece has changed, or if maybe the balance is being thrown off. I have noticed that its never easy for me to call it quits on any piece... I could tweak a piece forever and still fell it needs something else. I guess deadline would sway my opinion on the matter as well. If I am up against a shorter deadline then my time for fine tuning a document that has 1,000 + layers rapidly decreases.

What was the most embarrassing moment you had with a client or design?

I think the most embarrassing moment was when you and I designed (Well you designed it) one of our flyers for an Annihilation Productions party, we got the prints from PsPrint.com and and found there was a misspelling, the prints all had "Febuary" on them...

How did you get into graphic design?

Well for as long as I can remember, I've always wanted to be "An Artist" or at least do something creative. I've grown up around really talented musicians, illustrators and graffiti writers, and I always felt this yearning to stand out, to express my individuality like they could. and for me design is that medium. it gives me what I need to express my creativity and carve something out of this life that is truly my own. My first exposure to digital art came when you (Jeya One) and I took a 3D Studio Max class at a community college in Reno, NV. That was when I really started to understand the possibilities of design and digital art.

Lately you have been doing a lot of motion graphics. How did you get into that?

I got into doing motion graphics work while working at a cable access television station. I was an editor and most of the shows i would work on needed animated opening titles created. So naturally i had to jump into Adobe After Effects with both feet and learn everything I could. Now I currently work for a new media agency in Sacramento, California in the Creative Department as a Motion Graphics Artist.

What version of Photoshop did you start at? Do you remember what was hard about learning it?

I believe I started using Adobe Photoshop at release 7 I think, at the time I had no idea what an alpha channel was or what the difference between a jpg and a gif, let alone what a psd or a pdf were... so, to me, it was all foreign and i was lost in the sea of technical jargon and the vast desert of file types. I was and will always be a little lost.

Who are some of your favorite artists?

Some of my favorite artists are Daim, Giant One, Reyes, Sam Flores, Scott hansen, Joshua M. Smith (Hydro74). and sooo much more... There are so many people out there who are very talented, I hope to one day be half as creative and successful as they are.

Your a big Burning Man fan. How does that affect your design?

To me Burning Man is kind-of a different experience all together, its more of a cleansing of the mind and relaxing go where the wind takes you kind of approach to my life in general. While I'm there I really forget about everything that I have going on back here, work, art, bills, groceries, bank statements. everything gets filed away so its not cluttering up my mind therefore allowing me to take in all that the playa has to offer me.

Burning Man Temple Panorama - Photo ©2008 Steve Goodin

On average, how long does it take you to complete a design?

I guess on average a piece can normally take me around a week. and that's pitch, conception, sketching, and then implementation.

Before you start a project, what things do you do to prep for it?

Whenever I start a piece, i usually take a few days gathering inspiration and doing research based on the mood I want to set and the theme I want to convey. After I feel I've got a nice foundation or an idea of how I want the piece to look, I start to create any 3D elements I need, then gather any stock imagery. Based on the quality or the balance of those stock images, the overall piece may change given the original preliminary comps I may have mocked up. After that the real fun starts, this is where the piece will evolve and transform into something I could like to look at.

What are your Top 5 forms of inspiration?

I'm not sure how to answer that, I mean, I can find inspiration anywhere. so I guess my top Five would have to be: In music, animation, fashion, architecture, and nature.

Outside of design, what are your other passions and hobbies?

Other than design, I grew up Skateboarding, and Snowboarding. I used to work at a ski resort a while ago so I used to love getting up everyday, riding until like 3 in the afternoon, then bumping chairs till 9. Some of the best times of my life. I like to think I rode a skateboard or a snowboard because at the time, I didn't draw or paint or play music, so it very much became my way of expressing myself creatively. I was never into playing any team sports so thats another reason I would ride, it was only me and the street, or snow, and I could pick my line as I rode alone. I didn't have to follow any "play-books" or gather into any "huddles".

If you could work with one artist, who would it be?

To me a chance to work with any talented artist or designer is an honor for me, I learn so much when I work with another creative. It's always exciting to be working in a collaborative atmosphere as ideas that I would have never thought of are brought to the table.

What other forms of art/design do you practice?

Well as I said, I grew up around very talented artists most of which were graffiti writers. I have always been intrigued by the rawness of it, and naturally, the rebellion of it all. Sneaking around in a train yard at night, or laying in bushes as cars passed so as to not be caught in their high beams just to hit that spot you've been eyeing all week. In some cases it was like planning a prison escape or a diamond heist, you always knew the plan if you needed to bolt. Never go back to the car!!!

How did being exposed to graffiti affect your design work?

Well I guess for me I was really drawn to graffiti because of the letters. I guess in a way it was the first time I was exposed to Typography. And today, Typography is usually one of the main design elements in my work so I suppose you could say that I have always been drawn to type and all the different forms of type.

If you were influenced by one artist who would it be?

For as long as I can remember, I have always really admired "gmunk" (http://www.gmunk.com/),(http://www.gmunk.tv/). I have always loved his approach on his own marketing. In my opinion, he is one of the forefathers of "Viral Marketing". Brilliant!

Where do you see yourself in 1 year, 5 years, 15 years?

I hope in 1, 5 or 15 years I'm still finding ways to stay creatively productive. I am blessed to have the career I have now. I want to continue to learn as much as I can and continue to work and create.

What tool do you have that every designer should have?

I think there are many different types of "tools" a designer may use, but I think one every designer should have is an open mind and a willingness to learn.

Thank you again for taking the time to be interviewed. Do you have any last words? How can people find you and check out your work?

So the past few years have been really amazing for me. And It's only going to get better, I have just recently learned I'm going to be a new daddy soon and I can't wait to meet my baby. I cant stop thinking about it like, WOW! I am going to be a dad! And you know my son or daughter will be surrounded by the arts in some form, and just knowing that makes me feel even more blessed. I hope my words made sense, and this wasn't too hard to read. It sucks having A.D.D... I would like to thank you for the opportunity. I am very honored and humbled. You can see my work on: Behance and Deviant Art

Get Inspired – #022 4

By jeya. Posted: January 4, 2010 at 1:18 am in Inspiration
Here is another amazing selection of designs for your inspiration, enjoy! If you would like to submit something to Media Militia, please use Twitter and include @mediamilitia in your tweet or email contact@mediamilitia.com
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An In-Depth Look Into Background Removal Techniques 25

By jeya. Posted: December 30, 2009 at 1:33 am in Articles
Removing a background from an image is a common task that every designer needs to do on an almost regular basis. There are so many ways that you can extract a subject from its background to end up with a transparent background. With all the different ways, there is really is no exact method that you should take every time. Depending on the background or complexity is how you should determine which method you should take. If you have the luxury of being the designer as well as the photographer, then you have complete control of the contrast between the subject and the background. Try to make the background as plain as possible with highly defined edges. This will make any of the methods below an easy process in removing the background. Most of the time you will be supplied an image or have to find one on a stock site. Unfortunately, if the background is pretty intricate, you will have more of a time consuming road ahead of you. You should assess your image and try to figure out which method will be the easiest and cleanest way possible for your design. Becoming a master at extraction is very useful in all design jobs. Go through the different options below and find the method that you like the best. More than likely you will find yourself using a mixture of multiple techniques to achieve a perfect extraction.

Extract Filter

The Extract filter is an oldie but goodie extraction filter that originally came pre-installed with Photoshop. The filter is now available as an add-on that you can get from the Adobe website for free. Adobe removed the Extract filter so they could create new tools built directly into Photoshop. Some of these new tools like Refine Edge are already built into newer versions of Photoshop, while others are still in development. Until all the new tools completely replace Extract, it will remain available as an optional download. The extract filter is mainly used when you’re in a rush and want to get fast results.

Download Windows
Download Mac
Pros for Extract Filter
  • Easy to use and learn
  • Great for hair
  • Great results when the background is not to complex. Try to use it on a solid background
Cons for Extract Filter
  • You have to manually install it into Photoshop
  • Not the best results when compared to other techniques
  • If the background is complex, the filter sometimes leaves unwanted pixels
Tutorials:

Fine Selections Using Photoshop's Extract Filter

The Extract filter dialog box provides an elegant way to isolate a foreground object or objects and remove the background on a layer. Even objects with wispy, intricate, or undefinable edges may be clipped from their backgrounds with a minimum of effort. When you extract the object, Photoshop erases its background to transparency. Pixels on the edge of the object lose their colour components derived from the background, so they can blend with a new background without producing a halo effect.

The Extract Tool

One of the most common things beginners to Photoshop wants to be able todo is seperate one object or so from it's background. There are as many ways to extract an object from it's background as there are languages on our earth and every one is different from eachother. One way is using the filter in Photoshop called Extract.

Learn how to use the Extract Filter

Before we start working with the tools in the Extract dialog box, let me give you an overview of what’s needed to successfully extract an image from its background. Extract needs three pieces of information: which areas should be thrown away, which areas should be kept, and which areas contain the transition between the first two areas (including semi-transparent areas).

Magic Wand

The Magic Wand tool is a selection tool that allows you to select similar colored area without having to trace around the outline of the object. You have some available options to help get the perfect extraction, like specifying the color range and tolerance for the selection.
Pros for Magic Wand
  • Arguably the fastest way to remove a background
  • Great for simple objects and plain backgrounds
Cons for Magic Wand
  • Edges are not as clean as other methods
  • Does not work in Bitmap mode or on 32 bits-per-channel images
  • New tools, like Quick Selection, have pretty much replaced the Magic Wand
Tutorials:

Photoshop 101 - The Magic Wand Tool

Especially for high contrast images the Magic Wand tool makes selection simple. A tool for daily use this example shows how to remove a background quickly and easily. A little like the Magnetic Lasso tool the Magic Wand does much of the hard work for you. It works by selecting pixels based on settings defined by you. Select the Magic Wand tool by pressing W.

Photoshop CS4 Magic Wand tool tutorial

A quick video tutorial on how to use the magic wand tool in Photoshop (works for many versions before CS4 as well)

Quick Selection & Refine Edge

Introduced in Photoshop CS3, the new Quick Selection Tool is a great way to quickly paint a selection around an object. As you create the selection it will automatically find and follow defined edges of you object you are trying to extract. The new Quick Selection tool is far superior to the Magic Wand. Refine edge is a time saver that will help you create the perfect selection.
Pros for Quick Selection With Refine Edge
  • Great if the object you are trying to extract has defined edges
  • Simple and Intuitive
  • Plain Backgrounds work best with the Quick Selection Tool
Cons for Quick Selection With Refine Edge
  • Can be difficult if your the object and the background colors blend
Tutorials:

Quality Selections Made Easy: The Quick Selection Tool

The ability to select an object in an image to either remove it from its background or isolate the object for specific correction/manipulation has certainly been available in earlier versions of Photoshop forever. The problem people seem to have has always been the quality of the selections.

Russell Brown Show - Quick Select

Start by using the Quick Select Tool and Marquee Tool for making a selection in Photoshop CS3. Then, easily modify the selection with the new Refine Edge feature.

Background Eraser Tool

The Background Eraser tool is another tool that is great if you want to quickly remove a background from your object. The background eraser simply erases background pixels from background with the same color while softening the edges of your object.
Pros for the Background Eraser Tool
  • Easily removes a background if the color of the background is plain
  • Fast and instant results
  • Great with simple objects
Cons for the Background Eraser Tool
  • Can create too soft of edges
  • Does not work well with multi-colored or complicated backgrounds
  • Terrible results with intricate of wispy hair or edges
  • Occasionally leaves stray pixels
Tutorials:

Photo Retouching: Background Extraction and Color Manipulation

One of the most common uses of Photoshop is to extract images from their backgrounds, so that they can be introduced into various other projects. There are many ways to accomplish this task, whether through use of the pen tool, magic wand or magic lasso, however there is a tool that is both effective and easy to use which will erase This tutorial aims to educate the reader about the Background Eraser Tool, as well as how to manipulate colors and lighting in Photoshop.

The Erase Background Tool

The erase background tool is powerful, but good results are only possible if you understand how it works. In this tute, we will look at all the options in the tool and use them to extract backgrounds from our images. The tool works best if the background is all a similar colour, for example, someone against a solid colour or a bright sky.

Magnetic Lasso Tool

The Magnetic Lasso Tool is another selection tool that is used primarily on simple background removals. When you use the tool, it will snap to defined edges of your object you are trying to extract. You have the ability to set feathering and anti-aliasing in the options bar which will make the extraction look a whole lot better.
Pros for the Magnetic Lasso Tool
  • Easily remove a plain one color background
  • Simple and easy
Cons for the Magnetic Lasso Tool
  • Can be tricky if you don't know shortcut keys to step backwards
  • If the background and the subject have blending colors this is not the tool for you
  • If the background is complex, the filter sometimes grabs areas of the background
Tutorials:

Select with the Magnetic Lasso Tool

The Magnetic Lasso tool is especially useful for quickly selecting objects with complex edges set against high-contrast backgrounds. When you use the Magnetic Lasso tool , the border snaps to the edges of defined areas in the image.

Removing the Background With the Magnetic Background

What this image has going for it is a very distinct edge, which makes it a perfect candidate for the magnetic lasso tool. I ruled out the background eraser because there were color variations in the background that were very similar in color to the leaf color.

Using the Magnetic Lasso Tool to Delete the Backgrounds of Your Images - Video Tutorial

Using the Magnetic Lasso Tool in Adobe Photoshop, you can quickly and easily delete the background from your images. In this screencast tutorial, we show you how by selecting the region of the image that you want to keep, and then deleting the inverse of your selection, you can delete the background from any image.

Extraction using Channels

Extracting using channels is by far the best way to extract an subject from the background. This technique however, does require a few more advanced steps and an eye for perfection.
Pros for using Channels
  • Easily removes simple one color backgrounds
  • Great for hair and other wispy subjects
Cons for using Channels
  • Difficult to understand for beginners
  • Requires knowledge of other tools
  • Usually requires additional methods
Tutorials:

Difficult Background Removal

In this lesson we are going to explain all the required passages to isolate the main subject of a picture and isolate it from the rest. The goal is to remove the sky and the sea and leave the wave and the rocks. We are dealing with a pretty difficult main subject to cut away. The wave has a very irregular and not so sharp border in most of its length.

Removing the Background - Photoshop Channel Mask

It may seem like a real challenge to pull the fireworks out of this image. The selection tools won't work, and the background eraser didn't produce very good results either. I'm going to show you an amazingly simple technique for masking the fireworks in this image using the channels palette.

Handy Techniques for Cutting Out Hair in Photoshop

The best photos are those professional studio type shots that are taken against a plain white background. These shots make it much easier to find the edges of the subject, but trimming out fine hairs can still be a little tricky. In this example we'll be using the common Channel technique to trim out this lovely lady.

Handy Techniques for Cutting Out Hair in Photoshop

Selecting fine strands of hair is one of the trickiest jobs in Photoshop, and it’s so hard to find bald models. Here Justin Maller shows you some clever techniques for making accurate selections of complex subjects. The crux of this process lies in using channels to make a detailed alpha mask for your image

Pen Tool Extraction

The Pen tool is a favorite method by most experienced designers. The reason it is a favorite is because you create the selection by hand! There is no magic to it, you judge where you want the selection. You create a path around the object you wish to extract and create a selection from it to remove the background. Although it does take some time to create the selection, it creates a crisp and clean outline. The more you use the Pen tool the better you will be at it.
Pros for the Pen Tool
  • Creates very clean selections
  • Great for backgrounds that blend in with the subject
  • Precise lines, and is easily editable
  • Works fantastic when used in conjunction with Refine Edge
Cons for the Pen Tool
  • The Pen tool has a steep learning curve
  • Bad for Hair or transparent objects
  • Time consuming
Tutorials:

How to Use the Pen Tool in Photoshop: A Tutorial on Outlining Objects

The pen tool in Photoshop—ever use it? Using the pen tool can be kind of weird the first time (even downright confusing) but it’s a great tool for artists to know how to use. Using the pen tool, you can perfectly outline your artwork, and then delete everything else around it so that nothing detracts from your art.

Cutting Out An Image With the Pen Tool

In this Photoshop tutorial we will explore how to use the pen tool. First, we will look at the pen tool's basic controls. We will examine creating paths, curvature modification and anchor point adjustments. Next, we will use our new pen tool skills to cut out an image. This skill is so essential to know when using Adobe Photoshop, and it really illustrates the power behind the pen tool.

3rd Party Filters & Programs

Not too happy with the results your getting from using the techniques above? Well, you're in luck, there are some really innovative programs that are available to purchase. They aim at making extracting subjects from the background a lot easier than the built in tools in Photoshop. Here are the most popular filters out right now.

Mask Pro

Cost: $159.95
For removing unwanted backgrounds, Mask Pro 4.1 is the Photoshop plugin recommended by Advanced Photoshop magazine. Mask Pro 4.1 allows you to cut out a subject from the background by assigning keep and drop colors and simply painting away the background. Mask Pro 4.1 makes it easy to create masks, selections and clipping paths on difficult subjects like hair, glass and fog all in real-time.

Topaz ReMask

Cost: $69.99
Topaz ReMask is simply the fastest, easiest, and most effective way to create detailed masks and extractions. It is is specifically engineered to supercharge the masking and extraction workflow for photographers and designers within Photoshop. Other masking tools - both within Photoshop and other third party filters - require intricate brushing, sampling, and refining for a detailed mask. Topaz ReMask, on the other hand, does all the heavy lifting while requiring a minimum of user input.

Fluid Mask

Cost: $149
Fluid Mask 3 is the professionals choice. Fluid Mask 2 established itself as the market leader in still image cutting out - Fluid Mask 3 takes masking to the next level. Quick to pick up and intuitive to use, Fluid Mask 3 gets professional results fast. Now Professional results are more possible than ever before. Make super fine mask selections using new sampling and selecting tools. Check out the new edge blending algorithms. And the new complex hair blending that automatically gets great results from multi-colored wispy hair. No longer should hair be the cutting-out nightmare it is today.

Conclusion

Whether you use a 3rd party filter or the tools built within Photoshop, go with what looks best in your final design. Learn to use all the different methods - it will really pay off. I personally use a combination of the Pen tool and channels extraction methods almost all the time. Let me know in the comments what methods or filters you use! I would love to know. If you enjoyed this article, please help us out by retweeting or stumbling it.

Get Inspired – #021 4

By jeya. Posted: December 28, 2009 at 1:29 am in Inspiration
Here is another amazing selection of designs for your inspiration, enjoy! If you would like to submit something to Media Militia, please use Twitter and include @mediamilitia in your tweet or email contact@mediamilitia.com
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Abstract 3D Renders Pack – 33 Free Images 36

By soad2k. Posted: December 23, 2009 at 1:46 am in Freebies, Packs
This abstract render pack comes filled with 33 images of 3D abstract renders. All the images are in PNG format with transparent backgrounds. Try combining multiple images for a really unique design. For the adventurers out there, we have also included two of the 3ds Max files that this pack was created with! One is Mental Ray and the other is VRay. All you need to do is add some perspective and have at it. As with all of our resources, personal and commercial use is welcomed and encouraged!

Previews:

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Get Inspired – #020 3

By jeya. Posted: December 21, 2009 at 1:21 am in Inspiration
Here is another amazing selection of designs for your inspiration, enjoy! If you would like to submit something to Media Militia, please use Twitter and include @mediamilitia in your tweet or email contact@mediamilitia.com
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Drips and Spray Paint Pack – 40 Brushes + 40 Textures 12

By jeya. Posted: December 18, 2009 at 1:44 am in Freebies, Packs
This pack is filled with awesome paint splatters, drips, sprays, and more! You have two high resolution options to download them as: 2500px Photoshop Brushes or 3000px PNG images with transparent backgrounds. As with all of our resources, personal and commercial use is welcomed and encouraged!

Previews:

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Did you like this pack? We have a ton of amazing freebies you should check out. Download all of them and start your collection of awesome resources.

Bling Effects Pack – 50 Free Photoshop Brushes 51

By jeya. Posted: December 16, 2009 at 1:15 am in Freebies, Packs
This pack will make a great addition to your collection. You can bling anything...from type to an image of your car. These brushes are large and look great on almost anything. Try experimenting with the Brush panel settings like scattering and dynamics to get a different effect. As with all of our resources, personal and commercial use is welcomed and encouraged!

Previews:

Get Inspired – #019 3

By jeya. Posted: December 14, 2009 at 1:09 am in Inspiration
Here is another amazing selection of designs for your inspiration, enjoy! If you would like to submit something to Media Militia, please use Twitter and include @mediamilitia in your tweet or email contact@mediamilitia.com
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